Wednesday, July 30, 2008

The World Is Now Open For Business

This was my topic, as well as the one below "When the Winds change". I have a habit of offering up several topics at once. But I am proud to say that from it sprung my very first working poem that actually rhymes!


The world is now open for business,
It will do quite well, I'm sure,
Fast food, real estate and stock markets,
All that, oh yes, and much more.

The world is now open for business,
Dope, cocaine and all the rest
Illegal or not, we don't particularly care,
So long as the coppers stay off of our chest.

The world is now open for business,
Neon lights and corporate ads
Now we've started, none can resist us,
Look out for all the new fads.

The world is now open for business
We're scooping the cash up real fast,
But oil has peaked,
And the havoc we've wreaked,
Has ensured that it could never last.



.

When The Winds Change

A poem based on an excercise that one of the members of my group set. She brought in a photocopied sheet from a book about the convicts who came to Dover and Southport. The sheet listed all the convicts who came, their ages, crimes and marital status. We were instructed to choose one of these convicts, and write their story.

The subject of my story, a seventeen year old boy whose crime was stealing money for clothes, dwelled in my mind  for some time afterwards. And so I wrote this.


Seven years are my sentence
But my lifetime I shall serve
For though the jury may say otherwise
'Tis a death sentence I have earned.

And when the winds change
When they whisper of home
I think only of you
My sister.

My mother, she is dead,
My father disappeared,
It was only you and I, my sister
And now, for you I fear.

And when the winds change
When they whisper of home
I think only of you
My sister.

Two men and a child have died,
The others have taken their clothes
Their deaths are kept quiet, the bodies unmoved,
So their food ration keeps coming round.

And when the winds change
When they whisper of home
I think only of you
My sister.

I'm bound for a new world,
The Southern Land, Australia,
So far from our life, together
And yet so near to our deaths, apart.

And when the winds change
When they whisper of home
I think only of you
My sister.


When the winds change,
I can hear your sweet voice,
uplifted in song
Despite all misery.

When the winds change,
I think only of you,
When the winds change,
my sister.

From the Ashes 2

There are two pieces for this topic, prose and poem.

A fire

Caged by human hands
dances and frolics to unearthly music
Ever unheard by mortal ears
The circle of stones
That mark its boundaries
flickering in the orange light
Sparks fly
A blade of grass joins the dance
A tree, a forest
leap and prance to the song of the flames
The harsh cry of human sirens
Slice the song in two
killing the flames
destroying the dance
Leaving only ashes and charcoal
Silence prevails
Ages pass
Until, from the ashes
The green forest returns.


Just Don't Make It too Complicated

A writers block story. I'm only glad that Calliope eventually got around to me, otherwise I'd have been staring at that blank screen for a very long time.

Just don't make it too complicated

Just don't make it
too complicated.

The phrase circled round and round in Eliza's head as she glared at the blank sheet of paper in front of her. She gripped her pen tighter, fingers whitening and threatening to give herself writers cramp before she even written a single word.
Three times she'd touched the pen to the paper, and three times she'd lifted it up again, shaking her head in frustration.
How could she possibly write in conditions like this?
She sank her head down onto the wood of the desk at which she sat, and shut her eyes, hoping for some kind of inspiration that would get her writing with her usual vigor. None came.

She sat in her studio, technically the attic, of her house in Newford. It was a small room, and brightly lit from the enormous window in the far wall. Through it she could see the branches of the oak tree that grew in her front garden, and, in the distance, the bay, glinting in the midday sun, and the numerous yachts and fishing boats that bobbed gently on the waves.

Unnoticed by the frustrated writer, the muse Calliope tapped frantically on the window. She sat in a fork in the oak tree, glaring into the house through the pane of glass that separated them. Her long blond hair was unkempt, the Greek robe which her superiors insisted that she wore, despite the changing of the times, tattered and grass-stained. 
'Stupid stupid stupid stupid stupid!' She hissed under her breath as she banged on the glass. 'Stupid stupid woman!' 
Then she amended herself, for she knew that it wasn't completely Eliza's fault. Eliza had been Limited, and that was a horrible thing to have to deal with, especially for someone who expressed herself with words like she did.
'Stupid publisher. Stupid stupid publisher.'
Normally a muse can pass through any barrier, thick or thin, to get to their designated writer. But when a writer has been limited, frustrated and annoyed, there is a kind of mental box that is put up around them, that the muse can't get into, and the writer can't get out of.

Eliza was the best writer of all Calliope's clients, she wrote such beautiful prose, and such amazing plots that it astounded even Calliope, who'd seen so many great writers.
Edgar Allan Poe was her work, and she was rather proud of it.
But Eliza had her manuscript sent back to her, with a short note saying 'Nice, but try again, and just don't make it too complicated this time.'

The problem with that bit of advice is this response: "What on earth is that supposed to mean? What is complicated? I don't see any complications. Should I strip down the prose? Drop all my adjectives? Pull out some characters? Put them in? Change the end, the beginning, the middle?"

And this was precisely the pit that Eliza had fallen into.

Eventually Calliope gave up, and continued down to her next client, who had, to the muse's amusement, been staring at a blank computer screen, trying to think of something to write about the topic "Just don't make it too complicated."
 

The Secret To Happiness.

It really didn't take me long to write this one.  I really loved the topic. After all, it practically begged for one of my weird, fragmented, present-tense stories.


Today she decides to write a list. On the right of the page she will write all the things that make her happy, and on the left everything that makes her unhappy.
She thinks for a moment, then writes “Sunny Days” on the right of the paper. And stops.
Tears roll down her cheeks as the left side fills up, spilling over into the right column and onto the other side of the page.

Today he turns on the television, and stares dumbly at the screen. He flicks through the channels, not really paying any attention to anything.
He stays there the whole day.

Today she doesn't get out of bed, just listens to the sounds of her parents shouting at each other downstairs. Reaching for the knife on her bedside table, she cuts into the skin on her arm. A silent symbol of rebellion.

Today he ties off the upper part of his arm, needle in hand. With a faint sigh, he injects himself with the drug. Then everything's great again, and he laughs. And laughs. And laughs.

Today she wanders through the mall again, looking for the next fantastic bargain. The next item that will soon end up in the closet, with all the others. All those shiny new things that she knows she doesn't need.

Today he reaches for yet another box of chocolates, throwing the wrapper of the last one into the overflowing bin. Shovelling them into his mouth three at a time, he gazes into nothing.

Today she sits in the park, in her fashionable clothing, and her hair done just so. And for no particular reason, she starts to sob into her hands. It begins to rain, and she just sits there, clothes soaked and hair completely ruined, crying.

Today he buys the lotto ticket that he is so sure will win this time. He sits hunched before the telly, ticket held tight in his fists.

Today she thinks.“I don't know what the secret to happiness is,” she writes “But I know what it is not. It is not what this culture is turning us into. It is not this way of life. It is not the next drug fix, it is not the next fantastic buy, it is not the next box of chocolates. If there is indeed a secret, we forgot it long ago.”

From The Ashes

When I found this story on my computer, it took a long time for me to remember what the topic for it actually was. I guess that's just evidence of how long it's been since I've done anything to this blog...

It was a loud silence, the kind that makes every second seem to last an age. It was broken only by the slow 'tick... tick...' of the clock on the wall, which only accentuated how awkward we had become in one another's company.

It had been so long since we'd been able to talk together properly. Not since the funeral...
"So..." He was the one who spoke first, tapping his fingers self consciously on the kitchen table at which we sat. "How have you been?"
"You asked me that already, Dad."
"Oh, yes. Of course."
I spooned some more soup into my mouth, trying not to grimace at the foul taste. His cooking still hadn't improved.
"Dad..." I began, unsure how to frame this question. He glanced up from his bowl, glad that I had taken the initiative. 
"Yes?"
"Dad, what did you do with..." I took a deep breath, and steadied myself.
"What did you do with her ashes?"
He actually flinched. It was the first time we'd mentioned her in three years. But I had to ask.
"Wh... Why do you ask?"
I found myself hating him. 
"Goddammit, Dad!" I yelled. "We haven't spoken about her for years! Why do you insist on forgetting about her? I'm her son, just as I'm yours, and I want to know what you did with her ashes! Is that too much to ask?"
My onslaught trailed off as I saw the tears spilling down his cheeks and into his soup. 
"I've still got them." He whispered. "I couldn't bear to throw them away."

It was a long drive to the bush from Dad's house. We were silent the whole way, and I cradled the box in my arms as we sat.
He kept on casting me nervous glances, as though afraid I would explode again. I detested him for it. He was such a coward.
Finally we arrived. I opened the door and got out of the car, starting the walk through the bush without waiting for him. I heard him running after me, and when he reached my side he was panting slightly. I didn't even look at him.
Then we were out of the bush, and into our clearing. Our clearing: funny how I called it that. Even though technically we never owned the place, it was our secret. Our camping spot.
Her favourite place. It had changed a bit since we had last come here. it was more overgrown; bracken and shrubs had taken over the otherwise clear ground, and it seemed smaller.
But it was still ours, still full of memories. All three of us would sit around the fire, laughing and talking, telling stories... It seemed so long ago.
There were the ashes and stones where we used to have the fire, there was that tree that I always used to climb when I was younger. I could see where I carved my name into it with my pocket knife.
Dad looked at me, and I found I wasn't angry any more.
"Here." I said decisively, and opened the box. Together, we scattered her ashes to the wind.

Gathering Storm

This topic was chosen  as a tribute to Rosie Dubb's book, Gathering Storm. As I haven't read it, this story bears absolutely no relation to it.

Rain has not fallen on these plains for many years now. Where once there was grass and lush green gardens, dust and brittle twigs give evidence of the starvation of the land.
For, like a man deprived of food, the earth, without the sustenance given by water, withers and dies until only her bare bones are visible, bleached white by the harsh light of the sun.
A single man walks barefoot through this once-fertile desert, though he knows not that it was ever green. He has wandered this land for twenty-three years now, as did his father and grandfather before him, and even within three generations not one of them has seen rain fall on this parched soil.
His name is Nantill, and today he hunts a lizard.
He had seen its' footprints two days previously- huge, three toed marks bigger than his hand with a stride longer than his arm- and had been tracking it ever since.
After living on moths and sand-snake eggs for over three weeks, lizard will make a welcome change.
And now it is close. Very close. 
Nantill pulls the spear from its' holder on his back, and takes one of the leather pouches from his belt. Opening the pouch, a strong scent of rotten meat wafts into the air, and he places it on the ground.
He crouches in the scrub, spear at the ready, and waits.
He does not know how long he sits there, but soon there is a crunching of dry twigs and a snorting of breath, and the lizard comes into view.
It is enormous, far bigger than anything he could possibly kill or eat on his own, and he is only too aware that he does not pose the same problem for it.

The lizards' scaled flanks heave as it sniffs at the bait, snorting in frustration when it finds nothing that would make a half-decent meal.
Then it turns it head, slowly, to where Nantill sits.
The lizard is a sandy color, its' back covered in large spikes that stick out at odd angles.
Though all creatures of its kind look slow and plodding, they are capable of bursts of speed that no human could ever hope to outrun.

Nantill knows this, as he slowly rises to his feet so that his head is now level with the lizards.
He knows it even as he points his spear at the things snout.
And he knows that he is going to die as it begins to charge.

He throws the spear as hard as he can, hoping to buy some time, though it could not possibly pass through the scaly hide, before turning and, without even checking to see if it hits or not, he runs.
He runs like he has never ran before, feet pounding against the dry dust, sweat pouring from his face, not looking where he's going, not caring where he's going, as long as it is far away.

And now he's falling, tumbling almost vertically downwards, sand entering his nose and mouth as he struggles for breath even as it is knocked from his body.

Finally it stops, and he lies face down in the sand, waiting for those crushing jaws to snatch his life away.

Nothing happens.
He staggers to his feet, and stares.
He fell from the top of a steep hill into a basin, of sorts, surrounded on all sides by similar sand-dunes.

The lizard is nowhere in sight.

It is like he's fallen into another world.
Before him is a gigantic structure rising out of the sand, of a material he has never seen before. It is not rock, nor is it bone, but something that glints in the sun like stars that have fallen from the sky. Scattered around it is debris of the same luster.
The place stinks of death.
Nantill walks cautiously over to the structure, and, when it makes no move to hurt him, he gingerly touches it. It is smooth, and so hot that he snatches his hand away with a yelp.
And he knows, suddenly and without doubt, that people lived here once, long ago. He can feel it. Though how they died, he does not know.
He hears a rumbling sound from somewhere far away, and glances up, startled. The hairs rise on the back of his neck as he gazes at the horizon.
Clouds, huge, swirling black clouds roll across the sky, swallowing up the light of day as they do so.
Nantill shivers as a cold wind strikes up, bringing with it an unfamiliar scent that no living creature has smelled for an age.


And while Nantill does not know what this means, I do. And I will tell you.
Just as the storm came to take away the lives and homes of the people who destroyed the land so many years ago, it comes again. 

But this time, it gives life back.

Something Strange

This topic I  was one I couldn't help but take as an order, rather than an actual subject


The door of the tavern swung open, letting in a gust of freezing air. A figure stood at the entrance, silhouetted against the bright neon lights from outside, and the warm firelight inside.
The tavern was the exact image of one of those cliched inns that you read about in every fantasy or historical novel. The wooden crudely painted sign hanging from the bar out the front creaked ominously, the stone walls were grimy and stained, and the thatched roof looked as if it would fall in at any moment. Inside, the firelight cast eerie shadows across the faces of shady looking men.
And these shady men were all watching the newcomer with hostility in their gaze. It was rare that anyone new came in, and even rarer that they came from the city. 
The stranger stepped into the room, and shut the door to the modern sounds of the city outside. He glanced over to the bartender, a portly man in an apron, and spoke in a voice that carried throughout the room.
"They say that if a man looks hard enough, and long enough, he shall find whatsoever he searches for."
The bartender nodded to himself, and gestured for the man to come closer. The other men returned to their drinks and their pipes, some smirking slightly.
The stranger strode over to the bar, and the bartender leaned closer.
"They also say to be careful what you wish for," he said, "It might just come true. The same applies to looking for things that have nothing to do with you, Searcher."
The man addressed as Searcher shook his head. 
"What I am searching for has everything to do with me, as it also has everything to do with everything. You cannot deny me, I know you cannot."

The barkeeper looked steadily into the determined eyes of the Searcher.
"How long have you been looking?" He asked.

"10 years, thirty days, and 12 hours." Came the prompt answer.

"How long have you known?"

"The same."

"They say that curiosity killed the cat, you know." The bartender warned.

The Searcher laughed.
"But I am not a cat."

"No-one has ever returned, what makes you think you are any different?"

"I don't."

The portly man bowed his head, whether in mourning or in acknowledgment that the other man had won it was unsure.

"Very well. Continue." 
He swung open a gate in the side of the bar, allowing the searcher to step through and revealing a set of stairs that continued downwards into darkness.

The inhabitants of the tavern watched as one as the Searcher descended. When he had disappeared from view, the barkeeper returned to polishing a dirty glass with an equally dirty rag, and it was as if nothing had happened.

Meanwhile underneath the inn- though underneath was not perhaps the right word, as it was under the inn, and yet so far above the earth that it was incomprehensible- The Searcher strode steadily downward, or upward, if you prefer.
It was dark, pitch black, but this hardly impeded him, as he was traveling in an exact straight line. Eventually, perhaps a couple of seconds, a century, or forever, later, the darkness became light, and he knew.
He didn't know anything in particular, he just knew. He could see Them. The ones that say. The ones that Are.

They say You found us.

They say- for he can no longer tell where he begins and They end- Yes.

They say Why?

They say Because we had to.

They say We understand.

And then They are silent.


They are God, They are Allah, They are women, they are men.
They are demons, They are angels, they are us, and they are Them.